Skip to content
Saturday, October 17, 2026
Plainly Reads offers straightforward book reviews, author i…

Our Leading Release of 2025: Rosalía's Lux Takes the Number One Spot.

At first glance, this work might appear closer to an arduous academic quiz than the latest pop album by an artist who just had a last single was a collaboration with an international K-pop icon. Broken across 4 distinct movements and performed in 13 tongues, it is a dizzying orchestral-influenced album that delves into feminine mystery, religious transcendence, and bodily change, often by way of the prism of different female saints. The dissolution of a love affair—a topic handled with raw openness on another major 2025 album—is shot skyward here, buoyed by the constant sound of a major orchestra and contributions from a Pulitzer-winning songwriter within a vast list of contributors. Its sheer daring by itself makes the efforts of other pop stars look rather laughable.

Rising Above Academic Exercise

That Lux manages to avoid dry academic chin-stroking is nearly a miracle, with sole credit going to Rosalía. Although this is not her first album to alchemize the past with modern styles, the stakes feel much greater on Lux, and the balancing act far more precarious. The element that really elevates this fourth release, outside of its multilayered melodies, rich arrangements, and engrained theatricality, proves to be an essential spirit of playfulness. Similar to the legendary Björk at her peak, there is a wondrous quality to the vocalist's singing that pulls you up in its whirlwind. When she's tearing your heart apart, you still desire to be alongside her through the ride.

A Signature Moment of Exuberance

This exuberant spirit shines brightly on a stirring Italian ballad inspired by a saint. It luxuriates in a sorrowful melancholy over more than four minutes. Suddenly, everything falls silent, and we hear a gleeful giggle and a declaration prior to a comically exaggerated orchestral surge thuds down with comedic force. The song then shifts into the wild single featuring galloping orchestration, an imposing choral group, and a surprise role from none other than herself.

"The magic with this album lies in the listener never exactly know—nor wish to know—what you is going next."

Almost each song finishes in a totally different point from how it started. One moment examines the fleeting nature of celebrity over a delicate orchestration before disintegrating in digital chaos. Another, a song echoing her previous rhythmic style starts off moody and sinister, with menacing vocals, before fluttering traditional rhythms and a heavenly chorus arrive to soften the song's rough edges.

The Balance Of Art and Accessibility

A key achievement on Lux involves navigating the line of bold experimentation and broad accessibility. This is little surprise that it has become the artist's first release to break into the Top 5 of key charts: its heart contains a collection of truly undeniable pop songs. A song sung entirely in English swells around a refrain that feels to gather increasingly nagging hooks while it spirals skyward. That trick is echoed by another powerful track that grows and contracts, weaving multiple tunes as an intricate weave.

  • A dance-infused song seduces via its playful, Disney-adjacent flair and an anthemic chorus.
  • In its words, it aligns the cultural honesty of other breakup songs, lambasting an ex- partner described as an "psychological terrorist".
  • Across the album, the singing have a sharp smile, like a storybook figure concealing a blade: "Gold medal in being a motherfucker / You've won the trophy of disappointment."

An Opulent Banquet for the Soul

This album represents popular music on a maximalist level, a hungry reach for capital-A artistry amid of impending AI-generated blankness. It eschews self-absorption for glorious transcendence, creating an over-the-top spectacle that skillfully controls its inherent excess. It is an abundant well of buried gems that takes time to completely mine but doesn't seem like a chore. Where some big pop albums of the year seemed like feasting on scraps, this record is a lavish feast where the guests at the table, perhaps tipsy on holy wine, flit from discussions about ancient figures, the galvanizing sensation of heartbreaking sadness, and common gossip about hopeless partners. It is a contemporary theatrical production from music's truly endlessly creative visionary.

Written by

Alex Price

A former librarian turned literary critic, Elara specializes in contemporary fiction and enjoys exploring diverse genres.

Plainly Reads

Type to search articles.